All Workshops are included into NOD International Contemporary dance Program fee
Workshop compresi nel Tariffe Programma Internazionale di danza contemporanea NOD

The International  Contemporary Dance Program  is open to all dance  students aged 18 and up, with a strong contemporary and ballet  technique, to professional dancers and  teachers seriously motivated and interested in NOD program
During the trimester will be published the dates of upcoming selections to provide scholarships 

Next selection will take place during the workshop Ya'ara MOses
december 10th - 13rd
HOW TO APPLY to register to the selection click here - Students (professional dancers - teachers and students-adv. Level) without age limits that wish to attend the entire course of training or even partially.
 fill the form if interested in part of the program  

September 21/22 h: 10,00/14,00
for fee and how to apply please click here
to register please click here

The goal of this intensive workshop is to share the most relevant aspects of the contact as a method of scenic composition with participants. Aspects that Sharon has been working with throughout his career as a philosophy approach to the understanding of human relations. The workshop is organized around the analysis of questions that Sharon is dealing in his work and how we can execute and reveal new answers. Concepts such as organic, need, instability, fall, cooperation and support (the basis of his creations) will rule the development of working sessions. The workshop is intended for: students and professionals dancers.

January 19th - 22nd  Centro Danza Royal
January 26th/ 29th Lavanderia a Vapore
Anchor Technique and movement research
h: 11,00 to 15,00Anchor Technique and movement research
for fee and how to apply please click here

to register please click here  

Each class is diverse and explores a variety of concepts such as gravitation, time, body textures, chains of movement, space and relations to it, finding anchors inside the body and their relation to the ground. Using imagination and fantasy by creating our own space through exploring and researching organic and inorganic actions of the human’s body. It contains a strong embodiment through going back to basics of movements and stage presence. The class develops a full body engagement and opens our awareness

Video link-

Dor is the winner of the prize of the Israeli Ministry of Culture for 'Best Cast Performance’ in 2014 and 2013. He also received an 'audience award' at the Copenhagen Choreography Dance Competition 2014, and he is a winner of ZOA scholarship for young artists in 2006. As a dancer he worked with Kibbutz Contemporary Dance Company directed by Rami Be’er, and with Vertigo Dance Company directed by Noa Wertheim. During his dance carrier he had a great chance to perform in pieces made by William Forsythe, Marco Goecke, Emanuel Gat, Susanne Linke and many other.
He has been working with Idan Sharabi & Dancers as a dancer and teacher since 2012. in 2014-2015 he was teaching in NDT2, The Royal Danish Ballet, The Danish Dance Theatre, New Dialect, Contemporary School of Hamburg and many more.
Dor is a certified Pilates Instructor (Mat and Machinery), and a Thai Massage Therapist.

October 10/13 
h: 11,00/14,30
Impro class, research and creation
to register please click here 
For fee and how to apply please click here 

Erion Kruja 
Born in Albania/Tirana where he studied at National Ballet School and danced in the National Theater  of Opera and Ballet.
Erion danced different styles in companies such as: Albanian National Theater of opera and Ballet, Compagnie Linga, Chemnitz Ballet, Bern Ballet and he 's currently dancing at Hofesh Shechter Company. 
After many years experience as a dancer, he's now exploring to find his own movement language and  to develop his career as a choreographer.


March 15th /18th
Gaga class - Imbal Pinto Repertoire - Costanzo Rep.
h: 11,00/12,15
h: 12,30/14,30
to register please click here
for fee and how to apply please click here 
Andrea Costanzo Martini 
was born in Cuneo Italy. He graduated in 2004 from the Ballet Academy Heinz Bosl Stiftung in Munich.
After a beginning as a ballet dancer he traveled between Israel and Sweden where he worked for BATSHEVA DANCE COMPANY (directed by Ohad Naharin), CULLBERG BALETTEN and INBAL PINTO & AVSHALOM POLLACK DANCE CO.
He Performed in pieces of Ohad Naharin ,Sharon Eyal, Jiri Kylian,Crystal Pite,Alexander Ekman,Benoit Lachambre,Inbal Pinto. 
Andrea started choreographing in the frame of Batsheva Iotsrim (Dancers Create) between 2007 and 2010 for both the young ensemble and the main company.
In 2009 one of his pieces his chosen for the Production of a video dance by videoartist Ori Golan.In 2011 He creates a Work for Six Male Dancers from the Cullberg Ballet called "For men Only" , performed at the Moderna Dans Theater In Stockholm.
In March 2013 his solo piece "What Happened in Torino" receives the first prize for Dance and Choreography at the Stuttgart Solo Tanz Competition.Since then the work has been touring internationally (Israel,Italy,Germany,Switzerland)
Together with his work as Performer and Choreographer he teaches Gaga and Improvisation in various schools and companies (Cullberg Baletten,Swedish Royal Ballet,DOCH and Pinto dance company among others) .


February 15/19 
February 22/26
to register please click here

For fee and how to apply please click here
Born in Israel in 1987.  Tom graduated from the Amal School of Arts and Sciences and joined the Batsheva Ensemble in 2005.  He continued to the Batsheva Dance Company from 2008 to 2011, where he worked with Ohad Naharin and Sharon Eyal.  In 2012, Tom began freelancing and worked with Barak Marshall, as well as Company E in Washington, DC, where he set both Ohad and Sharon's work and served as rehearsal director. Tom was a founding member of Sharon's new project, L-E-V, and danced with the Gothenburg Ballet where he performed works by Peeping Tom, Marie Chouinard, and Alex Eckman.  He was a guest artist with Michael Keegan Dolan's-Fabulous Beast Dance Theater (2013), with the Batsheva Dance Company (2014) and with the Forsyth Company (2015). He has been a Gaga teacher for the past 8 years, and has taught Gaga and Ohad Naharin’s repertory in schools such as the Netherlands Dance Theater Summer Program (2010 - 2014), the San Francisco Conservatory of Dance, the Taipei National University of the Arts and Springboard Dans Montreal.
Tom is a choreographer and began creating through Batsheva Dancers Create during his time with the Company. In 2014 he won the International Solo Tanz Theater Festival with his work Nemek, which has toured in Germany and Brazil.

November 5th / 8th
to register please click here
For fee and how to apply please click here

Yaniv Avraham started dancing in Karmi Machol Karmiel, a folk dance academy and company, and he continued his training from 1999-2001 at the Mate Asher School of Performing Art (MASPA) alongside the Kibbutz Contemporary Dance Company on Kibbutz Ga’aton.  In June 2001 he joined Batsheva Ensemble and in February 2003 was promoted to Batsheva Dance Company, where he danced until July 2010.  While with Batsheva, Yaniv performed works by artistic director Ohad Naharin, house choreographer Sharon Eyal, and guest choreographer Mats Ek.  In recent years, he has performed in the works of fellow Batsheva alumni Noa Zuk and Gili Navot.  As a dancer, he has received grants from the Israeli Ministry of Culture and Education, the Sharett Foundation, and the America-Israel Cultural Foundation.
Yaniv choreographed several works for Batsheva Dancers Create from 2004-2010.  Since leaving the company, he has created new dances for MASPA and Florida University, and his solo Somersault (2013) was performed in several festivals at the Suzanne Dellal Centre in Tel Aviv, Dance Makers in Amsterdam, and MDF in Reggio Calabria (Italy).  Yaniv has taught Gaga, Ohad Naharin’s movement language, to both dancers and non-dancers in Israel and internationally, and he has also taught Naharin’s repertory.  He has taught for dance companies including Batsheva, Carte Blanche, Les Grands Ballets Canadiens, and Cullberg Ballet and at dance departments at schools such as University of Florida, Jacksonville University, Tisch (NYU), and University of Southern Florida.  He has led master classes and/or workshops in Australia, Singapore, Japan, Russia, Serbia, Germany, France, Spain, Italy, and the U.S.
Alongside his ongoing choreographic work and teaching, Yaniv is currently the artistic director of MASPA.

November 9/13 h: 11,00 /14,30
Keren Rosenberg  Gaga & choreographic practice
The workshop will explore the choreographic practice of Keren Rosenberg and her ongoing dialogue with the gaga movement language.Everyday we will start with a Gaga dancers classes followed by a movement and choreographic research which will be developed into a short piece.The week will focus on the idea of passion as a means of communication. What kind of physical properties can passion trigger? What is special about your passion? How do you share passion? How dealing with these ideas affects the environment we move in?working with our transformative being as a channel to expose hidden “truths” about ourselves. Using this creative process to get to  know more about ourselves and the way we share ourselves with others.  Through the use of touch, feedback and shifted intention,  we will be pushing ourselves to make statements without holding back. Committing to clarity and accuracy in the way we morph and phrase ourselves in space.

November 26th /29th
26 - 27- 28 / 11 h:  11,00/14,30
29 /11 h: 15,00/18,30
to register please click here 
For fee and how to apply please click here

Jon Ole Olstad

started dancing at the age of 16 and took his first ballet class when auditioning for a high school dance department. He quickly realized dancing was his big passion and that he would do anything to make his dream of becoming a professional dancer come true. Later he was accepted into the National Academy of the Arts in Oslo, and graduated with a bachelor degree in 2009. After college he was hired for the tour project "Kamuyot", a collaboration between the Swedish Riksteatern and Batsheva Dance Company led by artistic director Ohad Naharin. During this time he participated in daily 'gaga' class, the training form they use in Batsheva Dance Company, and developed a great love and respect for this work. In 2010 Jon Ole formed the choreographic duo "Ruth n ´Walter" together with Caroline Skjoershammer. Their first duet "Epilogue" got invited to the Cross Connection Choreography Competition and in 2012 they created "Dear, its time to turn the lights off", which was performed in different festivals and venues. In 2013, Jon Ole was hired by Nederlands Dans Theater 1, led by artistic director Paul Lightfoot. He has worked with choreographers such as Paul Lighfoot and Sol Leon, Johan Inger, Hofesh Shechter, Marco Goecke, Alexander Ekman, Jiri Kylian, Mehdi Walerski and Crystal Pite. In 2015 he was awarded 1. Prize in the prestigious competition, International Solo- Tanz Festival in Stuttgart. With his solo "and we already knew the names" he was awarded 1.Prize in Dance and 1.Prize in the Choreography category. He started teaching in 2009 and has a huge passion for sharing his knowledge and the love of dance. He has taught at numerous colleges and studios across Norway, as well as in Los Angeles and New York City- Lines Ballet in San Fransisco, New York University/Tisch, The National Academy Of The Arts in Oslo, Edge performing Arts Center in Los Angeles, Movement Lifestyle and Opificio Movimento in Rome .


November 28/29

28/11 h: 15,00/16,15 Gaga class - h: 16,30/18,30 Sharon Eyal Rep.

29/11 h: 11,00/12,15 Gaga class - h: 12,30/14,30 Sharon Eyal Rep

is from New Hampshire, USA and studied at St. Paul’s School and the Juilliard School, where he received his BFA. He worked with Aszure Barton and Mikhail Baryshnikov’s Hell’s Kitchen Dance before joining the Batsheva Ensemble in 2007. Doug continued to the Batsheva Dance Company from 2008 to 2012, where he worked with Ohad Naharin and Sharon Eyal, and became a student and teacher of Gaga. He is now a founding member of Sharon’s new project, L-E-V, and has been assisting her in creations for companies such as the Gothenburg Ballet, Nederlands Dans Theater 2, and the Royal Swedish Opera. Doug also teaches Ohad and Sharon’s repertory in schools and universities around the US. He is a recipient of the 2007 MOVADO Future Legends Award, nominated by Mikhail Baryshnikov.

December 10/13 Centro Danza Royal Via San Marino 89/14
10/13 dec h: 11,00/12,15 Gaga class - h: 12,30/14,30 Naharin Repertory
to register please click here
For fee and how to apply please click here 

Yaara was born on July 14, the day of the French Revolution, a mere few hundred years later. Growing up in Jerusalem, she started to study ballet and modern dance at the age of 6. As a teenager, Yaara danced in the Jerusalem Hora Dance Group and went on to study professionally at the dance department in Harel High School, Mevaseret.
Yaara joined the Batsheva Ensemble at the age of 18 and later was invited to join the main company, under the artistic direction of Ohad Naharin. With Batsheva, Yaara performed works by Ohad Naharin and Sharon Eyal.
Yaara gained experience in rehearsal management and is a qualified teacher for Gaga, Ohad Naharin’s movement language, for dancers and non-dancers. She teaches in Israel and abroad.
Yaara participated in and choreographed for Batsheva Dancers Create performances before leaving the company in 2008 to become a founding member of MARIA KONG Dancers Company.

HOFESH SECHTER's dancers 2016!!
March 20th - 24th

December 21/23  Lavanderie a Vapore Corso Pastrengo 51 - Collegno
h: 12,00/15,00
to register please click here
For fee and how to apply please click here

Emanuel Gat
Artistic Director and Choreographer.

Emanuel Gat was born in Israel in 1969. His first encounter with dance was at the age of 23 during a workshop led by Israeli choreographer Nir Ben Gal. Few months later he joined the Liat Dror Nir Ben Gal Company with whom he toured internationally.

He started working as an independent choreographer in 1994.

Ten years later Emanuel founded his company Emanuel Gat Dance at the Suzanne Dellal Centre in Tel Aviv, with whom he has created several pieces of which « Winter Voyage » (2004) and « The Rite of Spring » (2004) won a Bessy Award; « K626 » in 2006 and « 3for2007 » in 2007, before choosing to settle in France, at the Maison Intercommunale de la Danse in Istres. « Silent Ballet » (2008) was the first piece created in France, followed by « Winter variations » in 2009 and « Brilliant Corners » in 2011.

In 2013, Emanuel Gat was associated artist to the Montpellier Danse Festival for which the company developed the project « Up Close Up » proposing two new works : « The Goldlandbergs » and « Corner Etudes », a photographic installation « It’s people, how abstract can it get ? » and a choreographic event « Danses de Cour ».

In 2014 Emanuel Gat creates "Plage Romantique", a one hour work for 9 dancers, in the Agora courtyard during the 34th Festival Montpellier Danse.
Emanuel is regularly invited to set his work and create new choreographies for dance companies around the world including: The Paris Opera Ballet, Sydney Dance Company, Tanztheater Bremen, Le Ballet du Grand Théâtre de Genève, Ballet de Marseille, The Royal Swedish Ballet, Polish National Ballet, Ballet de Lorraine and Cedar Lake among others. 

december 21/23 h: 15,30/18,30
to register please click here
For fee and details please click here

"Nella mia ricerca sondo soprattutto il disequilibrio, la possibilità di “stare serenamente mobili e transitanti nel totale fuori asse:” non mi interessa soltanto il movimento in sé bensì quel punto delicatissimo di trasformazione di spinte e controspinte dinamiche in cui può avvenire il crollo, il collasso, la perdita del controllo e dunque la caduta al suolo, oppure una trasformazione in going on ... and beyond
E’ una metamorfosi e un transito continuo del peso in un altro stato dinamico che esclude l'atto volontario bensì si genera dalle leggi intrinseche alle giunture della struttura anatomica umana; è la reazione implicita a una spinta/dinamica che porta ad una fase conseguente … può essere il punto alto della parabola o il punto più basso dell’iperbole: il mio lavoro indaga questi due estremi e ivi si colloca … per questa ragione spesso chiamo i miei seminari 'On the edge. Certamente perché questo accada è necessario passare al danzatore un sapere corporeo che lo fornisca degli strumenti tecnici e teorici su cui fondare la pratica e la sperimentazione (al suolo, in piedi e nello spazio) al fine di avvalorarsi di improvvisazione guidata e 'mirata a' per giungere a un corpo danzante deflagrato o anche a un lavoro di partnering che assecondi questa indagine”. 


Direttore Artistico/Coreografo della Compagnia TeatroDanza EXPERIMENTA Il suo repertorio da ballerino include lavori di Nacho Duato (Jardi Tancat), Birgitte Cullberg (Adam & Eve), Jiri Killian Stamping Ground), William Forsythe (Enemy in the Figure) Ann Reinking, Hans van Manen, Nielse Christie, Ramon Oller, Ido Tadmor, Gigi Cacileanu, Luciano Cannito, Lar Laubovich e molti altri. Ha Lavorato con compagnie di tutto il mondo tra cui: TNT (Solista) Bat Dor Dance Company (Primo Ballerino), Inbal Pinto Dance Company (Primo Ballerino), Ballet Hispanico of N.Y (Primo Ballerino), Buglisi Dance Theater (Primo Ballerino), dividendo il palcoscenico con etoiles come Carla Fracci, Christine Dakin, Terese Capucilli and Donlin Foreman. Le sue coreografie con impatto fortemente visivo ed emotivo hanno riscosso successo in: Messico, Finlandia, Israele e U.S.A. Hanno scritto delle sue creazioni: “Cinquinella confronta le sue emozioni sulla scena, creando con i movimenti non solo linee ma anche conflitti e situazioni dell’essere umano...” Time Out “...Cinquinella documenta con le sue coreografie la lontananza, l’estetica dell’anima, con grande forza interiore, dove le emozioni sono intense e mescolate all’urlo e la disperazione della routine quotidiana...” The New York Post “...le sue coreografie sono un album di foto di vita a colori, frammenti di sogni, desideri protetti e ricordi personali...” Dancer Magazine Walter Cinquinella ha ricevuto la membership onoraria dal CID (Consiglio Internazionale della Danza) un'organizzazione facente parte dell’UNESCO (Nazioni Unite Sezione delle Arti) per i meriti conseguiti nella sua carriera ed è stato premiato da Rebecca Jackson, Giudice Esecutivo della Corte Suprema degli Stati Uniti d’America “per aver dato grandi prove attraverso il suo lavoro e le sue gesta” Attualmente è nel Consiglio direttivo del New Jersey Dance Theater Ens. e del Buglisi Dance Theater (New York) di cui è stato Associate Director nel periodo 2002-2005

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